A tiny Holborn flat that reflects its designer’s love of neoclassical and 1970s style

Designer and creative Gergei Erdei has layered two of his aesthetic preoccupations – Greco-Roman ornamentation and David Hicks-style 1970s entertaining spaces – into his compact, highly liveable London flat
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Owen Gale

Other pieces are from Rome, where Gergei spent time after university. Recently, he returned, and toured all his favourite small markets and shops for gems. Getting his buys back to London, however, proved tricky. “It was a nightmare when I found things, because these places are all around the city, mostly in the residential areas.” Ubers took Gergei and his finds back to his Airbnb, and then he went out in search of bubble wrap and packaging, taking old cardboard boxes from grocery shops and packing them up carefully. “Now, I’ve luckily found a guy who is doing a van transport from Italy to London; next time I go to Rome, if I find something, he’s going to be the one who will bring it over!”

It’s not just antiques that Rome has given Erdei. He talks about how, during the time he lived there, he “charged his brain” by walking around the ancient churches and monuments. “Because of the language, I didn't make too many friends. I was by myself a lot, wandering around in the city. And I don't regret that because I think you can only take it in when you take the time to sit down in a church, have a look around, and no one is rushing you. No one is showing pictures on a phone. It was a great period to figure out what I really wanted to do.”

Greco-Roman design and motifs are Gergei’s current obsession. “Some of the patterns are so perfectly cut and so perfectly designed that if you transfer that pattern onto a cushion or onto a rug, or onto a dress, it's instantly just perfect.” He adds that Sir John Soane’s house, the neoclassical treasure trove barely half a mile from Lamb’s Conduit Street, is a long-term source of inspiration dating back to his university days, along with Phillips and Sotheby’s auction houses. Nonetheless, once a source of inspiration begins to feel tired, he’s happy to move on. “Before this whole Roman, Greek obsession, I was obsessed with Victorian-period England. All my university work was all about that: naval uniforms, everything. I always had these periods.” (Perhaps there’s a parallel universe in which Gergei’s flat is decorated in dark walnut, with neo-gothic trinkets and William Morris wallpaper providing the talking points.)

As for his newest aesthetic starting point, Gergei is keeping his cards close to his chest, but he allows that his autumn/winter 2022 collection will be “super opulent”. What that might mean to the interiors of the flat on Lamb’s Conduit Street, only time will tell.