An Italian diplomat’s contemporary pied-à-terre in Rome

Amid contemporary design, artwork and travel treasures, architecture firm 02A transformed a Roman apartment in an early 20th-century mansion into a museum-like city pied-à-terre
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Courtesy of Serena Eller 

In fact, light – another undisputed protagonist in the apartment – is also abundant in the main entrance, which, facing the living area thanks to a glass wall that cleanly cuts through the large vaulted ceilings of the living room and kitchen (painted in ‘Tuscan Red’ by Little Greene), creates a wonderful natural effect. In addition, solid oak parquet flooring provides a backdrop for the eclectic living room, where leather Bretagne sofas by Frau and 1940s French deco armchairs sit in dialogue with an antique Venetian lantern and photographs and sculptures on the walls.

Once again, natural light illuminates the space and helps highlight the French door opening onto a large private garden, which has direct access to the Lungotevere – the walk that runs along the Tiber – and where screening creepers, large palms and lush Monstera Deliciosa thrive. An arched passageway with a custom-made bookcase leads to the dining area. Here, neutral tones on the walls provide a theatrical backdrop to the family’s antique furniture and artworks, such as Igshaan Adams’ tapestry and Pascale Marthine Tayou’s Classroom, while Luceplan’s Illan birch pendant lamp surmounts a glass-topped table with vintage 1950s chairs.

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Courtesy of Serena Eller 

Finally, a curved wall demarcates the home’s most private area. On one side is the half-bath with a suspended ceramic tub and black marble surfaces; a veritable cabinet of curiosities with ‘Palm Jungle’ wallpaper by Cole & Son and the sinuous shapes of seashells, natural figures, travel treasures and handcrafted Vienna straw sconces. Elsewhere, a two-part studio is dedicated to cinematic art with upholstered vintage theatre chairs (and a projector and motorized curtain hidden in the ceiling), and to writing, with Desalto’s Helsinki desk and an iconic Serbelloni armchair designed by Vico Magistretti for De Padova.

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Courtesy of Serena Eller