A Scandinavian tastemaker's coolly harmonious Copenhagen apartment

A modern apartment in the new Vesterbro district of Carlsberg City was a blank page for the former musician to play with rhythm, colour and light

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The next step was to create a sense of rhythm. ‘I like dwelling spaces, where you can just be’ says Josephine. In the living area a Flos Arco lamp perches over the two white sofas. ‘In such a small living space it really helps to frame it,’ she explains. In the hallway, she has placed a grid-like rug (her own design) and artfully curated paintings to adorn the wall: ‘I didn’t want it to just be a pathway from one place to another.' Grids and lines proliferate throughout the apartment, and Josephine doubles down on them, creating a dynamic feeling out of something innate to such a modern build. She even decided to fill in the ceiling grouting with stripes of paint, allowing the staves themselves to sing: ‘If you can’t hide something, you might as well bring it out,’ she says.

Josephine has accented walls in brighter colours – such as oranges, browns, green and blues, adding top notes to the underlying white colour. Such colour and pattern was also crucial in reflecting Josephine’s Ghanian heritage as well as her love of travel. Many of the artworks, fabrics and antiques were sourced during her trips to Africa as well as India. The overall effect of the flat is a balancing act between ‘minimalistic, simple Scandinavian design and [something] more vibrant and intense.’

Entered through a red door, the kitchen is perhaps the most melodious space in the apartment. Whilst they kept the fixtures the same, Josephine changed the tiles to her own hand-painted ones. Their simple black stripes look a little like a plain music score, but by using a different finish they create a subtle, almost jazzy discordance with the otherwise lacquered surfaces. ‘It’s these small dynamics which bring peace to a place,’ says Josephine. On the ceiling, are two more lampshades – moon and sunlike – which rhyme with the spherical-patterned ornamental plate, and the circular table. Rather than add cupboards, Josephine's collection of glassware and ceramics are displayed openly: ‘It’s not so much about showing them off. It’s about me being close to them.’

All in all, the apartment is an expression of Josephine’s personality, and that of her family. ‘We really feel at home…my son was really worried about the fact it wasn’t big: “how could that be cool?!” But his friends love to visit. I think you just sense us,’ she says. But like any musical composition, it is up to the individual, and not the owner, on how to interpret the notes before them: ‘It’s not too in your face. You can breathe, and be who you want to be.’