A fresh and characterful take on a Belgravia townhouse by Buchanan Studio

Though this Belgravia townhouse had grand Regency proportions and had recently been renovated to a high standard, the new owners felt it lacked personality for them. So they hired Buchanan Studio to rework the interiors to suit the family’s needs, and to add some of its idiosyncratic sense of drama

As the house had recently been renovated, the objective was to inject vibrancy and decorative muscle, without making structural modifications. ‘Working in this purely decorative way throws up some interesting challenges,’ says Angus. ‘The house had wonderful bones and we couldn’t just start again.’ Working as sustainably as possible, they kept much of the existing interior architecture intact, including the white kitchen and the wooden parquet floors. Instead, the focus was on embellishing every surface with character – from tactile wall coverings to bespoke cabinetry and joinery – all offset by the studio’s own lively furniture creations.

Buchanan Studio worked closely with the owners and the building contractors, Portobello Projects, to bring the clients’ vision of a vibrant and practical family home to life. The brief was to balance their need to nest with their more extrovert love of hosting. The house became a playground for Angus’ creative way of thinking. He and his team approached it room by room, imaginatively supplanting its homogeneous serenity with texture, tonality and touches of fun.

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A ‘Studio’ chair in ‘Teddy’ fabric, a ‘Studio’ footstool in cloud shearling and a ‘Daydream Prism’ side table in stainless steel with a Norwegian Rose marble top, all by Buchanan Studio, are arranged on Seagrass Story matting. Artwork and ceramics collected by the owners and a cupboard from RH complete the scheme of the sitting area.

On the ground floor, the double-height Crittall windows in the kitchen set the tone. The marble-topped island is lined with Beata Heuman’s ‘Dodo Egg’ lanterns and Merci Maison’s ‘Ce’cile’ stools, the latter borrowing their 1940s flourishes from Parisian designer Jean Royère. Beyond a velvet curtain is the dining room, where Cox London’s ‘Floral May’ pendant lights, wrought in hand-patinated iron and brass, inspired the soft shades of the walls and the ceiling. The custom-made chairs are covered in a bold tomato-red fabric by Colefax and Fowler. Altogether, it makes for an entertaining space that exudes grown-up glamour.

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In the dining room, Cox London’s ‘Floral May’ pendant light, reflected in an antique mirror, hangs over an oak table with bespoke chairs in Colefax and Fowler’s ‘Kemble’ fabric. The large shell holds beautiful baubles.

Christopher Horwood

On the floor above is an elegant sitting room with three sets of doors leading out onto balconies – two facing the street and one overlooking the back garden – with a serene study on the half landing. Upstairs, on the second floor, there is a palatial dressing room with bespoke cabinets in a deep red. This deliciously indulgent space leads, through a hidden mirrored door, to the main bedroom – one of five – which has a particularly calm feel. ‘The owners wanted the interiors to be energetic and exciting,’ says Angus. ‘But we always try to make the bedrooms serene. This is their cloud-like cocoon.’ At the room’s epicentre is a bed sheathed by sheer curtains on a sweeping rail, enhancing the ethereal mood. This show-stopping take on a four-poster is testament to the fact that Angus started his professional life as a set designer.

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The walls in the upstairs sitting room are painted in Farrow & Ball’s ‘Setting Plaster’. The curtains in McLaurin & Piercy’s ‘Batak’ cotton in brick provide an elegant backdrop for a sofa in Tibor’s copper ‘Luna’ wool mix – with cushions in Buchanan Studio striped fabrics – and antique armchairs sourced on Vinterior and re-covered in Dedar velvet. They are teamed with Buchanan Studio’s ‘Daydream Shape’ side table and an Arabescato marble coffee table on a Nordic Knots rug. The pendant light is from Vaughan.

‘It’s a house with lots of unexpected turns,’ says Angus. A case in point is the shell-encrusted first-floor cloakroom created by specialist artist Katherine Lloyd. Every inch of the bijou room is covered in deep-sea treasures, sea glass and semi-precious stones. Painstakingly applied by Katherine, the shellwork has a dynamic, undulating pattern that includes a favourite Buchanan Studio motif – the stripe.

The mews house across the garden is a further surprise that tells its own design story. The two-bedroom space, used for guests, includes a large sitting room with raw plaster walls, natural materials and salvaged Victorian doors, which lend warmth and patina. The pale pink of the sitting room gives way to an emerald bedroom with an enveloping burgundy bathroom. ‘It is quite a colour shock,’ says Angus of the jewelled palette, which takes guests on a Pantone journey.

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Curtains in Yarn Collective wool, with a Houlès trim, envelop a bespoke end-of-bed ottoman in Tibor’s ‘Otto’ sumac wool mix in the main bedroom. The brass rail and a mirror from Norfolk Decorative Antiques add metallic accents.

Christopher Horwood

This is no longer a case of maximalist owners inhabiting a minimalist home, as the Buchanan Studio team has skilfully conjured a distinctive and beautifully embellished backdrop for every aspect of their way of life. ‘It has pops of theatricality, but it’s also comfortable and liveable,’ says Angus of the house’s newly energised, idiosyncratic form.

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