How to choose the right accent colour for a room

Once you've got the main colour scheme for a room under control, adding in an extra colour or two can take things to a whole new level
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The two sitting rooms in Suzy Hoodless' west London house are divided by an electric yellow architrave in Little Greene's ‘Trumpet’.

Paul Massey

If you’re struggling to choose an accent colour, then artworks and fabrics are excellent places to start, as they come with a ready-made colour scheme in place. Picking a colour from a pattern in a textile or a detail in a picture and emphasising it elsewhere in the room should make for a coherent scheme. "If I’m using accent colour on a piece of furniture, I tend to look for inspiration on what art is on the wall nearby, linking the furniture to the artwork, notes interior designer Olivia Outred. If in doubt, then a glance through the houses in our archive suggests that the bold primary colours of red and yellow tend to be the most frequently chosen for an accent – TikTok’s famous ‘unexpected touch of red’ advice is surprisingly foolproof – and yellow can add either a cheerful note or a very contemporary one if you opt for more acidic, highlighter shades. Suzy Hoodless went for the latter in the sitting room of her west London house, painting the architrave between two connected rooms in Little Greene’s ‘Trumpet’. “It’s completely uncompromising – we wanted it to be shocking and very contemporary,” she explains.

Patrick painted a trompe l'oeil door pediment in Farrow amp Ball's ‘Cola shade in the bedroom of his 1930s house in...

Patrick painted a trompe l'oeil door pediment in Farrow & Ball's ‘Cola’ shade in the bedroom of his 1930s house in Worcestershire, against walls in Farrow & Ball's ‘Cane’.

Christopher Horwood

Once you have an accent colour in mind, where and how should you incorporate it into a scheme? Paint can be one easy road to take, with window frames, skirting boards, architraves, stair treads and spindles, and even ceilings or floors all providing excellent opportunities for a splash of colour. “Think about adding accents of paint colour as you would a colourful lamp, cushion or decoratively upholstered ottoman,” says Patrick, who has done just that in his own house, adding in a deep brown trim to a bedroom painted in a warm wheat gold. He also recommends using tantalising glimpses of bold colour in the interiors of cabinets and bookcases, a trick we have seen in many a house on our pages. “Try painting the interior space of a large bookcase in a ‘tension’ colour,” he says. “Remember, it will only be seen above the spines of your books or curated objets! I have just advised this on a recent consultancy where the bookshelves are painted in our perfectly muddy Mouse’s Back on walls of Old White, and then we’ve added the zip of ‘Dix Blue’ in full gloss for the interior.

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In this flat by Carlos Garcia, blue has been used as an accent in a yellow room. The interior of the bespoke bookcase is painted in Edward Bulmer's ‘Azurite’, while the walls are in his ‘Persian’.

Christopher Horwood

Textiles and artworks form a less permanent main route to an accent colour, with lampshades and cushions being time-honoured ways to bring in a ‘pop of colour’ (although this phrase does conjure depressing images of droopy yellow cushions on grey sofas). “I do it all the time with passementerie,” says Edward, and indeed trims and tassels are an easy addition. Headboards, window dressings and rugs can be punchier, while the pictures you hang on the wall will do much to add depth to a colour scheme. While it can be effective to have a single instance of an accent colour (Patrick dreams of “chrome yellow full gloss side tables in an otherwise muted living space”), it’s often better to weave in the colour in multiple ways. In a pink and green room, a dash of dark red might appear both in a lampshade and as a prominent element in a painting on the wall, for example.

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A ‘pop’ of yellow in the lampshade draws the eye in this pink and white kitchen by Olivia Outred and Lulu Lytle.

Paul Massey

There is an often-cited rule about the correct proportions for an accent colour within a scheme, as Betsy explains. “I tend to use the 60-30-10 recipe, i.e. 60% foundation colour, 30% secondary colour and 10% accent.” This won’t work in every scenario and may be too prescriptive for some – Olivia Outred, for example, prefers to think of “a patchwork of colours” in a room – and indeed there is no need to limit yourself to three colours overall, or one accent colour alone. For those of us trying to create a colour scheme from scratch, however, it can be a helpful place to start, and it’s rather reassuring to think of an accent colour as taking up only 10% of a scheme, but having a wonderful impact nonetheless. Above all, as Patrick puts it, “Don’t be too shy with your accent, the clue is in the name! As with most decorating, have fun with your decisions.”

More ideas for accent colours