An artist's house decorated with riotous colour and collected paintings
From the outside, Alice Peto's house looks like any other smart London townhouse. Set on a traditional terraced street, its neat Victorian façade deftly conceals the whirlwind of colour that lies inside. Cross the threshold and all will be revealed: this is the home of an artist and illustrator.
It was a stroke of fortune that resulted in Alice and her husband Pete owning this west London house. ‘We’d been to view this house before, but lost out on it to another offer,’ explains Alice. I was heartbroken.’ A few months down the line, on the day the couple were set to exchange on a place in Southfields, Alice said to Pete, ‘please can you call up the house in Acton and just see if their offer has gone through.’ It was her birthday, and she couldn't shake the feeling that the house was meant for her. At her request, he rang up the agent who told him, rather amazingly, that the other offer had fallen through that morning. The house was theirs if they wanted it.
The house felt ‘warm and friendly’ from the off, and the pair moved in as soon as they could. Having lived in a small flat on Gloucester Terrace for fifteen years, Alice was particularly drawn to the country feel of the house. ‘I loved the feeling of going downstairs to the kitchen and looking out at the garden. It just doesn’t feel like you're in London.’
Although the house was in a liveable state – with the exception of the damp problem that ‘took up most of the renovation budget’ – there were a few tweaks and spruces the couple wanted to undertake to make the house theirs. ‘We built into the roof, turning the empty storage space into two bedrooms, which took the house from three bedrooms and one bathroom, to four bedrooms and two bathrooms’ Alice details.
The only small issue was that Alice was heavily pregnant (which she describes as ‘always a good time to move house and start driving a van around London!’) when work began, and ended up living without a roof or heating for four months as they converted the space. Quite a ‘hardcore move,’ Alice concedes, ‘but I wanted to spend the money we would have spent on renting somewhere else on wallpaper.’

Alice approached the decoration of her house much like a curator might approach plotting a new exhibition. ‘I wanted every room to be a journey, an experience, a feeling,’ she explains. Paintings were hung on almost every available wall, with Alice's own art (the subject of which is often inspired by the antique frame it is to sit inside) placed next to pieces picked up for very little on Golborne road. ‘I love how something – like a portrait of your great-aunt – can feel so austere, but hang it next to a Hugo Guinness and it’s totally transformed.’ She wasn't bound by traditional hanging rules either, choosing unexpectedly grand frames for artwork, such as ‘a cheeky cockatoo in a ridiculous Rococo frame? How jovial!’
When it came to choosing more permanent features, such as paint and paper, her art collection ‘dictated the decisions.’ Colours were chosen for their ability to show off paintings. As such, the sitting room was drenched in Farrow and Ball's ‘Blue Ground’, which Alice describes as looking ‘fantastic in any light. It’s so simple to work layers upon it.’
The only spaces in the house that Alice exercised restraint when it came to hanging art were the rooms of her daughters, Lucy and Arabella. ‘I wanted to introduce a sense of calm. They have busy wallpapers, but I like the idea that they can evolve in those rooms.’
Now, nine years on from buying their house, Alice and Pete have succeeded in creating a wonderfully welcoming family house with an ever revolving œuvre of art. For this, Alice credits her husband's support. ‘Heavenly and kind, Pete Field lets me paint paper and walls all day long and spend my earnings on paintings rather than food, and is up for any of my mad ideas. I still look longingly on minimal houses,’ Alice jokes, ‘I wish I was that person, but I just love texture and layers and colour too much.’
Alice Peto | @Paintedbyalice

























