The dos and don'ts of decorating responsibly

Experts share some of the ways in which they take a more considered, forward-thinking and eco-conscious approach to design
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A diagonal stepped threshold leads to the stairwell and main entrance of this 16th-century barn in Somerset converted by Jonathan Tuckey. Above a concrete lintel supporting the original masonry are birch ply panels and what Luke calls a 'Weetabix ceiling' - thermally efficient wood wool boards. The Ligne Roset 'Togo' sofa in the snug was found on eBay.

Simon Bevan

Jonathan Tuckey, Tuckey Design Studio

Your site is a resource. We often work with existing buildings and sometimes an obvious material solution is hidden in plain sight. A house we recently designed in Wiltshire was constructed from the very ground on which it sits. Equal parts clay, water, demolition aggregate and limestone from a local quarry form monolithic, unstabilised (ie no cement or concrete in the mix) rammed earth walls. Reinterpreting readily available material is critical when creating sustainable, considerate designs that are rooted in the local context.

tuckeydesign.com

Lonika Chande

Where fire doors are not required, such as secondary doors or cupboard and pantry doors, we often specify reclaimed ones. They are not only readily available and sustainable, but I think they usually look better, too. I like partially glazed reclaimed doors, as they create depth by allowing you to see the space beyond. For areas such as bathrooms, where you might want a little more privacy, we add fabric panels or ruched curtains, often made from beautiful antique textiles.

lonikachande.com

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In this Hampshire cottage, Max Rollitt has extensively reused the owner's collections and inherited pieces. In this bedroom he transformed a vintage quilt and trimmed it with Plushy Blue de Prusse by Dedar as a pair of curtains.

Christopher Horwood

Clare Gaskin

Materials provide one of the biggest opportunities to embed sustainability into your design. I particularly love using cork in my schemes – it is natural, long-lasting and biodegradable. It is also a renewable resource, as it can be harvested without harming the tree and the outer bark will then regenerate. We use cork for everything from flooring and wall finishes to joinery details, and even in pieces of furniture or lighting. These days it is available in a wide variety of tones, patterns and textures, making it much more flexible in terms of aesthetics.

claregaskin.com

Max Rollitt

It may sound obvious, but buy pieces that will endure fads. Antiques are not just timeless in design, but they were also built to last, to be moved, to be knocked and to be repaired. That antiques are repairable is part of their joy. If you love something, restore it. We choose natural and lower-impact upholstery materials, like calico, hair, hessian and natural latex.

maxrollitt.com

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The curtains in this Montecito house by Henriette von Stockhausen are one of the designer's favourite features – they were stitched together from leftover Anatolian panels.

Paul Massey

Sophie Rowell, Côte de Folk

Give items a new lease of life rather than just replacing them for a more characterful space. An old bed or your grandmother’s chair can be re-covered and given a removable frill. We like to seek out vintage textiles and end-of-roll fabrics, and we once created a striped sofa combining seven old and new fabrics, including a silk kimono belt.

cotedefolk.com

Nicola Harding

When embarking on a new project, think carefully about how someone else can, if required, undo your work further down the line. It might be fitting something in a way that enables it to be removed without damaging it. When your kitchen is being installed, for example, use removable fasteners and opt for modular construction, as it makes each of the elements easier to disassemble and reuse elsewhere. Avoid glue for fitted carpet and instead choose double-sided carpet tape, loose-lay installation or traditional grippers and underlay. Using freestanding items of furniture for storage also allows maximum flexibility and keeps the walls of a house intact.

nicolaharding.com

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The pews, used as seating around the dining table in Patrick Williams' London flat, are from a salvage yard, while the shutters are from Petersfield and were found online. Patrick replaced clumsy architraves with a narrow pencil bead, painting and staining it to match the plaster.

Simon Upton

Patrick Williams, Berdoulat

The most sustainable way to decorate is not to decorate. But if you must, use natural materials, including paint. Many people do not realise just how nasty a lot of modern ones are. They are harmful not only to the planet, but also to the buildings and the people who live in them. I love not feeling guilty when washing out brushes used to apply natural paints from the likes of Edward Bulmer and Atelier Ellis.

berdoulat.co.uk

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The wardrobes were created from art-deco glass panels salvaged from Unilever House in this 19th-century Hampstead home, with linen upholstered panels and reclaimed iroko.

Michael Sinclair

Sophie Goldhill, Liddicoat & Goldhill

Ask your architect how they avoid carbon-heavy materials. We make our designs sustainable by ditching steel and concrete, for example. In doing so, we are unearthing the potential of raw quarried stone and breathing new life into reclaimed marble and timber. It is all about minimising our footprint, but also crafting spaces with soul and stories.

liddicoatgoldhill.com